Well, Collingwood the military artist—

Chris studied at Berkshire College of Art 1966 – 1970 and then worked for Halas and Batchelor as a background artist. In the golden age of book cover illustration Chris made the Gunslinger, Crow and Herne series his own. To this day the shelves of High Street booksellers are full of his work. Perhaps his best known popular pieces are in the now famous Jorvik Centre’s paintings which form the focus of the exhibitions promotion and won a travel industry award. In recent years his best work has been paintings, such as SPQR, Anne Bonny, Mary Reid and Calico Jack Rakam and Blackbeard in Damnation Seize My Soul.

Chris’s super realistic style, using oils, brilliantly reflects the techniques.. passion and depth of the old masters he has a particular love of portraiture, which his new portraits of Wellington and William of Orange certainly reflects along with others from the English Civil war his love of the subject. He is also fascinated by the awful romance of weaponry and war. Chris uses traditional Dutch paints made today, as in 1664, and is meticulous in his research and attention to detail, so scarce in our modern throw away society. Sir Anthony Van Dyke, William Dobson, Sir Peter Lely and Fortunio Matania played a vital part in Chris’s formative years. He also is much influenced by Meissonier and De Neuville

all that was direct from his website

Chris studied at Berkshire College of Art 1966 – 1970 and then worked for Halas and Batchelor as a background artist. In the golden age of book cover illustration Chris made the Gunslinger, Crow and Herne series his own. To this day the shelves of High Street booksellers are full of his work. Perhaps his best known popular pieces are in the now famous Jorvik Centre’s paintings which form the focus of the exhibitions promotion and won a travel industry award. In recent years his best work has been paintings, such as SPQR, Anne Bonny, Mary Reid and Calico Jack Rackam and Blackbeard in Damnation Seize My Soul.

Chris’s super realistic style, using oils, brilliantly reflects the techniques.. passion and depth of the old masters he has a particular love of portraiture, which his new portraits of Wellington and William of Orange certainly reflects along with others from the English Civil war his love of the subject. He is also fascinated by the awful romance of weaponry and war. Chris uses traditional Dutch paints made today, as in 1664, and is meticulous in his research and attention to detail, so scarce in our modern throw away society. Sir Anthony Van Dyke, William Dobson, Sir Peter Lely and Fortunio Matania played a vital part in Chris’s formative years. He also is much influenced by Meissonier and De Neuville

Chris Spends most of his time painting for Cranston Fine Arts, in his busy schedule Chris can produce two Other Commission a year.